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The Social History of Smoking

George Latimer Apperson

Chapter 12:

Perhaps the most absurd and unmeaning of the restrictions that remain, is that which at certain times and in certain places admits the smoking of cigars and cigarettes and forbids the smoking of pipes. The idea appears to be that a pipe is vulgar. There are few restaurants now in which smoking is not allowed after dinner; but the understanding is that cigars and cigarettes only shall be smoked. In some places of resort there are notices exhibited which specifically prohibit the smoking of pipes. Why? At a smoking concert where few pipes are smoked, anyone looking

Athwart the smoke of burning weeds
can at once realize how much greater is the volume of smoke from cigars and cigarettes than would result from the smoking of a like number of pipes. It cannot, therefore, be that pipes are barred because of a supposed greater effect upon the atmosphere of the room. The only conclusion the observer can come to is, that the fashionable attitude towards pipes is one of the last relics of the old social attitude—the attitude of Georgian and Early Victorian days—towards smoking of any kind. The cigar and the cigarette were first introduced among the upper classes of society, and their use has spread downward. They have broken down many barriers, and in many places, and under many and divers conditions, the pipe has followed triumphantly in their wake; but the last ditch of the old prejudice has been found in the convention, which, in certain places and at certain times, admits the cigar and cigarette of fashionable origin, but bars the entry of the plebeian pipe—the pipe which for two centuries was practically the only mode of smoking used or known.

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

The highlander, as he existed within living memory at many shop doors, and as he still exists at a few, was and is the survivor of many similar wooden figures as trade signs. The wooden figure of a negro or "Indian" with gilt loin-cloth and feathered head, has already been mentioned as an old tobacconist's sign. In early Georgian days a tobacconist named John Bowden, who dealt in all kinds of snuff, and also in "Aloe, Pigtail, and Wild Tobacco; with all sorts of perfumer's goods, wholesale and retail," traded at the sign of "The Highlander and Black Boy" in Threadneedle Street, London. At York, in this present year, 1914, I came upon a brightly painted wooden figure of Napoleon in full uniform and snuff-box in hand, standing at the door of a small tobacco-shop. Another class of sign or emblem was represented by the "wooden midshipman," which many of us have seen in Leadenhall Street, and which Dickens made famous in "Dombey and Son." Sometimes the wooden figure of a sailor stood outside public-houses with such signs as "The Jolly Sailor"; and a black doll was long a familiar token of the loathly shop kept by the tradesmen mysteriously known as Marine Store Dealers. Images of this kind sometimes stood at the door, or in many cases were placed on brackets or swung from the lintels.

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